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Artworks

MASTER - Alcoriza, Diodoro Eso
15 July 2015 Noon Cloud
16 July 2015 Noon Cloud
17 July 2015 Noon Cloud
18 July 2015 Noon Cloud
Chief Cook - Obcena, Ferdinand Pascua
CHIEF ENG - Estabillo, Ramil Ignacio
ENGINE CADET - Caalaman, Aga Dominic Doroy
SPRING: AB3 2016 - Montejo, Jerson Regino, OS2 2016 - Bustarde, Noel Vien Caguida
2ND OFFICER - Secaluya, Alan Nobleza, 3RD OFFICER - Luna, Chester Psalm Sabandal
70Y
Eli-ca
Keystone
EPDM

Benedetto Pietromarchi

Of Saints and Sailors

14 April – 17 May 2016

Josh Lilley is pleased to present Of Saints and Sailors, Benedetto Pietromarchi's third solo exhibition at the gallery.

Of Saints and Sailors (2015-16) has its origins on a 26-day transatlantic journey on Cielo di Vaiano, a cargo ship carrying wood pulp from Uruguay to the Netherlands, where Pietromarchi joined a fraternity of 19 Filipino men whose lives are lived at sea. Through intimate daily sittings, Pietromarchi modelled busts of the sailors in clay.

Four of these busts form the centrepiece of this exhibition. Pedestals adorned with the stuff of the seachains and enginesyoke the men like wreaths or barnacles, evidence of the hermetic world they inhabit. Their heads, their minds, sit on top of the weather-beaten machines of industry and trade. The busts represent individual souls and a single collective existence in a sealed universe, a society of men whose work is invisible to the world and whose lives are shared only with each other. They are intense and masterful portraits, elemental evocations of the time the artist shared with these men, and poems about the act of labour shared by artist and worker alike.

Traveling the network of sea routes between global markets where production, distribution and consumption are based encouraged me to consider my creative processes as an integral part of the global economy, Pietromarchi writes, but mine is an emotional economy focused on human values.

A suite of photographic prints on wood pulp sheets, Noon Clouds (2016), serve as orientation against the immovable horizon and the distant companionship of clouds, the only evidence of time passing beyond the sea and the ship. Each work shows the view from Cielo di Vaianos top bridge at midday, with the map coordinates and date debossed underneath. A root attached to the centre of each seascape acts as an anchor to the earth. At sea there is a daily necessity for some constant point to which the mind can hold itself, Pietromarchi explains, reflecting on creation at the limits of human solitude.

Eight small sculptures connect Of Saints and Sailors singular, contained ambition to the modes of studio practice for which Pietromarchi has become known over the past 15 years. Organic forms sprout and bloom from smaller bits of industrial machinery in these works, as quiet elegies to the artists memories of his time at sea.

Benedetto Pietromarchi (b. 1972, Rome, Italy) lives and works in Rome. Pietromarchi studied at the Accademia delle Belle Arti de Carrara, Italy in 1998. Previous solo exhibitions include Heaven on Mars, Galeria Christopher Paschall, Bogota, Colombia, 2014; Slosh, Josh Lilley, London, 2013; and Carrozza, Flora Fairbairn Projects, London, 2007. Selected group exhibitions include Kaleidoscope, Saatchi Gallery, London, 2019; ITaliens, Italian Embassy, Berlin, 2013; A Change of Heart, The University of Leicester’s Sculpture Garden, 2013, A Broken Fall, Josh Lilley, London, 2009 and A Heart of Glass, Shoreditch Town Hall, London, 2008. Pietromarchi completed the Owner's Cabin Residency, July 2015, and was awarded the Kenneth Armitage Foundation Fellowship, 2009-2011.