Analia Saban

Analia Saban (b. 1980, Buenos Aires, Argentina) deconstructs the elements of painting, leaning into semantics, science and play in her multifaceted work, which she executes with unbridled experimentation and scientific rigour. Saban studied under John Baldessari in the New Genres MFA department at the University of California, Los Angeles, between 2002 and 2005, and presented her first solo exhibition at Josh Lilley in 2010. Her works are represented in, among others, the permanent collections of the Hammer Museum, Museum of Contemporary Art and LACMA, Los Angeles; Hessel Museum of Art at Bard College, New York; and the Centre Pompidou, Paris.

Analia Saban lives and works in Los Angeles.

Education

2005, MFA, New Genres, University of California, Los Angeles
2001, BFA, Visual Arts, Loyola University New Orleans

Solo Exhibitions

2019
Particle Theory, Arario Gallery, Seoul
Analia Saban: Dry Clean Only, Mixografia, Los Angeles
FOCUS: Analia Saban, Modern Art Museum of Fort Worth

2018
Punched Card, Tanya Bonakdar Gallery, New York

2017
Where We Start From, Gemini G.E.L, Los Angeles
Canvas on Paint, Qiao Space, Shanghai
Pigmente, Galerie Sprüth Magers, Berlin
Folds and Faults, Galerie Sprüth Magers, Los Angeles
The Warp and Woof of Painting, Galerie Praz-Delavallade, Paris

2016
Analia Saban is Broken, Gemini G.E.L., Los Angeles
Analia Saban, Blaffer Art Museum, University of Houston, Houston
Paper on Plastic Mixografia, Los Angeles

2015
Interiors, Galerie Sprüth Magers, London
Backyard, Tanya Bonakdar Gallery, New York

2014
Outburst, Praz-Delavallade, Paris

2013
Datum, Josh Lilley, London
Bathroom sink, etc. Sprueth Magers, Berlin

2012
Gag, Tanya Bonakdar, New York

2011
Derrames, Galleria 11 x 7, Buenos Aires
Grayscale, Thomas Solomon Gallery, Los Angeles
Dig, Praz-Delavallade, Paris

2010
Information Leaks, Josh Lilley, London

2009
Light Breaks Out of Prism, Thomas Solomon Gallery, Los Angeles
Living Color, Galerie Praz-Delavallade, Paris

2007
When Things Collapse, Galerie Praz-Delavallade, Paris
Wet Paintings in the Womb, Galerie Spruth Magers Projekte, Munich

2005
Bit by Bit, Kim Light Gallery / Lightbox, Los Angeles

Group Exhibitions

2019
Stains on a Decade, Josh Lilley, London
Dirty Protest, Hammer Contemporary Collection, Los Angeles

2018
Art Safiental: Horizontal - Vertical, Biennale für Land und Environmental Art, Senna
She Sees the Shadows, DRAF x MOSTYN, Llandudno
Black & White & In Between - Contemporary Art From the Frederick R. Weisman Art Foundation, Carnegie Art Museum, Oxnard

2017
NGV Triennial, National Gallery of Victoria, Melbourne
Latin American Artists in the Marciano Collection, The Marciano Art Foundation, Los Angeles
Unpacking: The Marciano Collection, The Marciano Art Foundation, Los Angeles
Concrete Island Venus Los Angeles, Los Angeles

2016
Progressive Praxis, De la Cruz Collection, Miami
L.A. Exuberance, LACMA Museum, Los Angeles
Good Dreams, Bad Dreams - American Mythologies, Aïshti Foundation, Beirut
Paper in Profile: Mixografía and Taller de Gráfica Mexicana, Georgia Museum of Art, Athens
Return to a Particular Moment, 601 Art Space, New York
Wasteland, Mona Bismarck American Center, Paris and Galerie Thaddaeus Ropac, Pantin

2015
You've Got to Know the Rules... to Break Them, De la Cruz Collection, Miami
No Man's Land - Women Artists from the Rubell Family Collection, Rubell Family Collection / Contemporary Arts Foundation, Miami
Picture the Cricket's Legs Apart, Kavi Gupta Gallery, Chicago
Free Admission, Galerie Praz-Delavallade. Paris ack to the Real, David B. Smith Gallery, Denver
Forgetting the Future: Entropy in the Reflective Age, Torrance Art Museum, Torrance
Theories on Forgetting, Gagosian Gallery, Beverly Hills
Vibrant Matter,KIOSK, Gent
Back to the Real, David B. Smith Gallery, Denver
The Silence of Ordinary Things in The TMR Benefit Exhibition, The Mistake Room, Los Angeles

2014
Here There Be Tygers, Gallery Lara Tokyo, Tokyo, Japan
Control Lapse, Josh Lilley, London
Prospect.3 New Orleans, Contemporary Arts Center, New Orleans
An Appetite for Painting, National Museum of Norway, Oslo
Expanding on an expansive subject, Part 2: Analia Saban, Is this a Painting?, Armory Center for the Arts, Pasadena
Variations: Conversations in and Around Abstract Painting, LACMA Museum, Los Angeles
Next, Arsenal, Montreal
Some Artists' Artists, Marian Goodman Gallery, New York
Between the Lines, Tanya Bonakdar Gallery, New York

2013
Sur: Biennial II, Torrance Art Museum, Torrance
Objective, Thomas Soloman Gallery, Los Angeles
Le Club des Sous L’Eau, in Nouvelles Vagues / Young Curator Season, Palais de Tokyo, Paris
Transforming the Known, Gemeentemuseum Den Haag, The Hague
Painting in Place, LAND (Los Angeles Nomadic Division), Farmers and Merchants Bank, Los Angeles
Alchemy, The Arts Club, London
The Ecstasy of the Image (or the Communicability of an Unusual One), Hessel Museum of Art, New York
The New Now, Carter & Citizen Gallery, Los Angeles
4 Artistas + 11 Preguntas a Martin Minuji, Galeria 11×7, Buenos Aires

2012
Lost Line: Selections from the Permanent Collection, LACMA, Los Angeles
Group Exhibition, FRI-ART, Centre d’art contemporain de Fribourg, Fribourg
Le Club des Sous l’Eau, Le Palais de Tokyo, Paris
Mentors Exhibition, Loyola University New Orleans, New Orleans
On Sincerity, 808 Gallery, Boston University, Boston
Stretching the Limits: Fibers in Contemporary Painting, SCAD Museum of Art, Savannah
La Ballena Negra, MARCO Museum, Vigo
Weights and Measures, Eleven Rivington Gallery, New York
Dark Matters, Guggenheim Gallery, Chapman University, Orange County
Rudin Prize for Emerging Photographers, Norton Museum of Art, West Palm Beach

CV

Click here to download.
Woven Rectangle as Warp (Black) #2
Study for Decant
Fade Out (From Blue)
Study for Circuit Board #3
Slab Foundation #12
Installation View: Information Leaks
Circuit Board #3
Acrylic in Canvas with Ruptures: Grid
Acrylic in Canvas with Ruptures: Green Dot
Installation View: Information Leaks
Magnetic Core Memory Structure #3, courtesy of Tanya Bonakdar Gallery
Magnetic Core Memory Structure #1, courtesy of Tanya Bonakdar Gallery
Pocket Watch #3, courtesy of Tanya Bonakdar Gallery
Installation View: Datum
Bouquet of Flowers with Broken Vase (One-Continuous-Blue Line)
Fade Out (From White)
Diamond Decant (Black and White)
Erosion (Parquet Floor)
Installation View
Installation View: Focus
Fade Out (From Black)
Slab Foundation with Glass Openings
Installation View: Datum
Installation View: Made in L.A.
Circuit Board #5
Slab Foundation #14
Study for Circuit Board with Architectural Details
Installation View: Incredulous Zealots
Slab Foundation #10
Circuit Board Sequence
Slab Foundation #10
OFFSET: Vase
Acrylic in Canvas with Ruptures: Grid - Detail
OFFSET: Two Pipes (one faces up, one face down)
Acrylic in Canvas with Ruptures: Pipes (In Perspective)
Acrylic in Canvas with Ruptures: Grid
Acrylic in Canvas
Acrylic in Canvas with Ruptures: Paint Drip
OFFSET: Tree
Acrylic in Canvas with Ruptures: Vase
Acrylic in Canvas with Ruptures: Dotted Grid (detail)
Acrylic in Canvas with Ruptures: Pipes (In Perspective) – Detail
Acrylic in Canvas with Ruptures: Brushstrokes
Acrylic in Canvas with Ruptures: Dotted Grid
Eyeball

Exhibitions

Stains on a Decade

Stains on a Decade

Group Show

Control Lapse

Control Lapse

Group Show

Datum

Datum

Solo Show

Something New

Something New

Group Show

Incredulous Zealots

Incredulous Zealots

Group Show

Gifted

Gifted

Group Show

Information Leaks

Information Leaks

Solo Show